PG-13
‘Come Play’ Review: Accept Larry’s Friend Request
Parents fight to save their son when a mysterious creature uses his electronic devices to break into our world.
‘Come Play’ Review: The Most Inventive Horror Film of The Year
A long-limbed monster named Larry targets Oliver, a non-verbal autistic young boy along with his family, friends, and classmates as well as other victims by manifesting through their smartphones, comp...
‘Come Play’ Exclusive Interview with Writer/Director Jacob Chase
A monster named Larry that manifests itself through smartphones and mobile devices. This is the feature film version of Chase's 2017 short film entitled Larry.
Aspen Film Festival 2020 Review: ‘Minari’ Is a Bold, Breathtaking New Take on Americana
A Korean family moves to Arkansas to start a farm in the 1980s.
‘Love and Monsters’ Review: A Sunny Attitude For the Apocalypse
Love and Monsters starts off inauspiciously, with a laundry list of indicators that what you’re about to see is going to be very, very bad. A piece of voiceover exposition delivered in an oh-so-relata...
‘Honest Thief’ Review: To Catch a Confessor
Joseph Braverman reviews Honest Thief, another Liam Neeson action-thriller showing off an older man (this time a thief) able to outwit many.
Film Review: ‘Sylvie’s Love’ is a Melodic Ode to Extraordinary Love
The love affair between music — jazz in particular — and romance on the screen is a story that is often told (from 1961’s Paris Blues to 2020’s The Eddy). Writer/director Eugen...
‘Rebecca’ Review: Wheatley’s Modern Day Retelling Lacks Atmosphere and Charm
A young newlywed moves to her husband's imposing estate, where she must contend with his sinister housekeeper and the haunting shadow of his late wife.
‘The Way I See It’ Exclusive Interview with Laura Dern and Pete Souza
Pete Souza captures historic and intimate moments as a photographer for President Barack Obama and President Ronald Reagan.