Zoë’s Oscar Predictions – October 7th

We’re in the middle of the 2022 New York Film Festival – where films such as Till and She Said are having their world premieres and others like White Noise and Bones and All are being seen by even more audiences – and this Friday sees the limited release of both TÁR and Triangle of Sadness, so it’s safe to say that it’s been a pretty busy week in Oscar world.

Let’s start with those world premieres. Till experienced some exclamatory raves after it held its first public screenings last Saturday (it’s currently at a 100% on Rotten Tomatoes with a 7.6/10 average rating and a 70 on Metacritic), with most acclaim being directed towards Danielle Deadwyler and her poignant and powerful performance as Mamie Till Mobley, instantly cementing her as a serious Best Actress contender. I moved her into my predictions last Friday, but I bumped her up to #3 after these reviews came out (just behind Cate Blanchett and Michelle Yeoh, and right above Michelle Williams – as I’m waiting to watch how her lead campaign actually pays off). Some are even bold enough to predict her for the win right now, but I think I’ll have to wait to see how the season pans off before taking such a bet – she sure sounds like she has “the goods” to contend for the win, but she’ll also be a fresh face to most of the Academy, and it’s very likely that she could be Till‘s sole Oscar nomination (the last Best Actress contender to win the Oscar as her film’s sole nomination was Julianne Moore for Still Alice, who benefited from an “it’s her time” narrative). But I definitely won’t be discounting Deadwyler whatsoever from here on out.

Meanwhile, we’ll have to wait until Thursday to hear the first public reactions to the aforementioned She Said, but the film has already been holding private press screenings in advance of its NYFF premiere (especially out here in LA), and certain responses have started to leak, with most trending incredibly positive for Universal’s #MeToo drama based on the book of the same name by New York Times reporters Jodi Kantor and Megan Twohey. The Hollywood Reporter‘s Scott Feinberg has seen the film and placed it his own Best Picture predictions, and others seem to echo his enthusiasm, with the “word around town” being that the film is a hard-hitting exposé of the investigation into Harvey Weinstein’s sexual misconduct allegations that might not reach the heights of something like Spotlight, but finds ways to earn your emotional investment nevertheless. It’s tricky to gauge what the industry’s exact response to be to the first “Harvey Weinstein film,” but there could be a belief that honoring the film (and keeping it in the conversation) is a way to right some of Weinstein’s wrongs and hold his enablers accountable, making it a contender with considerable passion in the Academy. What other nominations can it nab? Adapted Screenplay seems to be a solid bet (it’s a weak field and this is a sharp script), and I’d slot it in for Supporting Actress too at this point – Universal has yet to confirm the category placements of stars Zoe Kazan and Carey Mulligan, but talk behind the scenes indicates that Kazan will likely go lead while Mulligan could be campaigned supporting (and the latter is said to have the showier role as well).

She Said‘s rise in my Best Picture rankings means that I had to drop another film in favor of it, and that’s why I’ve (begrudgingly) bumped Triangle of Sadness down for the time being. You might recall that I adored Ruben Östlund’s scorching social satire, but I can’t deny that it’s a bit of a divisive title, and even some critics seem to have their knives out for it (The New York Times gave it a 30 on Metacritic), meaning that the movie can’t count on their support during the first phase of awards season, when critics control the narrative. I have faith that the film can land nods with “artsier” branches like the writers and the directors (I’m most confident on the former, though the latter does lean “international” with its nominees), but this puts Picture and Supporting Actress noms in doubt. Speaking of Supporting Actress, though it still has yet to be confirmed, there’s continually more talk in the pundit world about Margot Robbie’s potential Best Supporting Actress campaign for Babylon (the aforementioned Scott Feinberg of The Hollywood Reporter moved her there this week in his predictions, and while he later clarified to World of Reel that nothing has been confirmed to him either, he’s been lead to believe this is where she’ll land when all is said and done, and that’s similar to what I’m hearing as well, with the film positioned as an “ensemble play”), and if it does end up coming to fruition, you can count on Robbie to be a frontrunner in that category for sure, and one of Babylon‘s best bets at a win.

Someone you can’t say the same for is Robbie’s co-star, Brad Pitt. As I said in my first predictions of the season, though Pitt supposedly gives a phenomenal performance in Babylon, he could be headed for a PR shitstorm when it comes to his legal battle with ex-wife Angelina Jolie, and sure enough, this week, news broke relating to the specific details of Jolie’s abuse allegations, which painted him in a pretty poor light, to say the least. Is it enough to derail Pitt’s Oscar campaign – or hell, even his entire career? That’s a complicated question. For starters, Brad Pitt has been around for a long time. The guy is already a two-time Oscar winner. He’s incredibly connected, and he has a very strong support system in the industry. Additionally, many voters may view these legal troubles as “a family affair” and not want to pass judgment on what happened – having not been there themselves – choosing to vote (or not to vote) for Pitt based on his performance alone. However, those allegations are admittedly pretty damning. And this is just October. Babylon hasn’t even come out yet! That bad publicity is only going to grow and grow and grow as we get closer to the film’s premiere, and it could absolutely be a dark cloud that consumes all his awards chances. I still have him in my final five at the moment (mainly for the rave early reactions and Babylon‘s positioning as one of our biggest Best Picture contenders), but I could absolutely see a scenario where Pitt makes a few precursors and then is “shockingly” snubbed at the Oscars, or perhaps his campaign never takes off at all. We’ll just have to wait and see.

Other odds and ends this week include:

• Even though Bros bombed at the box office, I still added it to my Best Original Screenplay longlist this week. Why? Well, its financial failure doesn’t negative its rave critical reactions, and if anything, there could be an urgency to “save” the film after it stumbled as a show of support for Billy Eichner and co. and what the movie represents. Additionally, I do think there’s a path for the film to nab a WGA nom (as other Judd Apatow productions like The 40-Year-Old Virgin, Knocked Up, and Trainwreck have), especially with competitors like Martin McDonagh and Ruben Östlund ineligible there, which opens up a spot alongside the likes of Everything Everywhere All at Once, The Fabelmans, TÁR, and Babylon. If Bros gets that nom, it’ll should be taken very seriously as an Oscar contender in the category.
• Antoine Fuqua’s Emancipation debuted its first poster and trailer this week – alongside an announcement of its new December release date – throwing not just the film and Fuqua in the Best Picture and Best Director races respectively, but also “disgraced” lead star Will Smith in the Best Actor race. I highly doubt the Academy is in any place to “forgive” Smith since it’s been less than a year since he slapped Chris Rock on the stage of the Dolby Theatre (a recent Hollywood Reporter piece confirms as much), but I have still added him as my tenth contender in my Best Actor predictions. In any other year, he’d be a prominent player in the race – he just won last year, this is an extremely baity and challenging role, etc. – but that controversy will continue to weigh on him.
• I’ve been moving Top Gun: Maverick up my Best Picture predictions all season, and after a few weeks, it’s finally cracked my top five. Simply put, it just checks so many boxes, and almost everyone absolutely adores it. It helps that quite a few of the supposed “big” contenders of the season have fallen flat after middling fall festival premieres, but the film also has so much going for it on its own as well. It’ll be a huge tech player (contending for the win in Best Film Editing and Best Sound, along with Best Original Song) and, because the Best Actor and Best Adapted Screenplay fields are so weak this year, star Tom Cruise and writers Ehren Kruger, Eric Warren Singer, and Christopher McQuarrie will all undoubtedly show up at quite a few precursors, elevating their places in these Oscar races (and I wouldn’t count out director Joseph Kosinski at DGA either). The sky’s the limit for Top Gun: Maverick, and this may not be the last time it rises in my Best Picture rankings too.

BEST PICTURE

1. Everything Everywhere All at Once (A24)

2. The Fabelmans (Universal Pictures)

3. Babylon (Paramount Pictures)

4. Women Talking (UAR/Orion)

5. Top Gun: Maverick (Paramount Pictures) (+1)

6. The Banshees of Inisherin (Searchlight Pictures) (-1)

7. TÁR (Focus Features)

8. She Said (Universal Pictures) (+8)

9. Avatar: The Way of Water (20th Century Studios) (-1)

10. The Whale (A24)

ALTERNATES:

11. Triangle of Sadness (NEON) (-2)

12. Elvis (Warner Bros.) (-1)

13. Glass Onion: A Knives Out Mystery (Netflix) (-1)

14. The Woman King (Sony Pictures Releasing)

15. Black Panther: Wakanda Forever (Walt Disney/Marvel Studios) (-2)

16. All Quiet on the Western Front (Netflix) (-1)

17. Till (UAR/Orion) (+1)

18. Decision to Leave (MUBI) (-1)

19. Empire of Light (Searchlight Pictures)

20. Armageddon Time (Focus Features)

BEST DIRECTOR

1. Steven Spielberg – The Fabelmans (Universal Pictures)

2. Damien Chazelle – Babylon (Paramount Pictures)

3. Daniel Kwan and Daniel Scheinert – Everything Everywhere All at Once (A24)

4. Todd Field – TÁR (Focus Features)

5. Ruben Östlund – Triangle of Sadness (NEON)

ALTERNATES:

6. Sarah Polley – Women Talking (UAR/Orion)

7. James Cameron – Avatar: The Way of Water (20th Century Studios)

8. Park Chan-wook – Decision to Leave (MUBI)

9. Martin McDonagh – The Banshees of Inisherin (Searchlight Pictures)

10. Edward Berger – All Quiet on the Western Front (Netflix)

BEST ACTOR

1. Brendan Fraser – The Whale (A24)

2. Austin Butler – Elvis (Warner Bros.)

3. Colin Farrell – The Banshees of Inisherin (Searchlight Pictures)

4. Hugh Jackman – The Son (Sony Pictures Classics)

5. Bill Nighy – Living (Sony Pictures Classics) (+1)

ALTERNATES:

6. Tom Cruise – Top Gun: Maverick (Paramount Pictures) (+1)

7. Diego Calva – Babylon (Paramount Pictures) (-2)

8. Jeremy Pope – The Inspection (A24)

9. Adam Driver – White Noise (Netflix)

10. Will Smith – Emancipation (Apple TV+) (NEW)

BEST ACTRESS

1. Cate Blanchett – TÁR (Focus Features)

2. Michelle Yeoh – Everything Everywhere All at Once (A24)

3. Danielle Deadwyler – Till (UAR/Orion) (+1)

4. Michelle Williams – The Fabelmans (Universal Pictures) (-1)

5. Naomi Ackie – I Wanna Dance with Somebody (Sony Pictures Releasing)

ALTERNATES:

6. Viola Davis – The Woman King (Sony Pictures Releasing)

7. Olivia Colman – Empire of Light (Searchlight Pictures)

8. Emma Thompson – Good Luck to You, Leo Grande (Searchlight Pictures)

9. Jennifer Lawrence – Causeway (Apple TV+) (+1)

10. Zoe Kazan – She Said (Universal Pictures) (NEW)

BEST SUPPORTING ACTOR

1. Ke Huy Quan – Everything Everywhere All at Once (A24)

2. Brendan Gleeson – The Banshees of Inisherin (Searchlight Pictures) (+1)

3. Brad Pitt – Babylon (Paramount Pictures) (-1)

4. Judd Hirsch – The Fabelmans (Universal Pictures)

5. Paul Dano – The Fabelmans (Universal Pictures)

ALTERNATES:

6. Ben Whishaw – Women Talking (UAR/Orion)

7. Barry Keoghan – The Banshees of Inisherin (Searchlight Pictures)

8. Micheal Ward – Empire of Light (Searchlight Pictures)

9. Brian Tyree Henry – Causeway (Apple TV+)

10. Jeremy Strong – Armageddon Time (Focus Features)

BEST SUPPORTING ACTRESS

1. Margot Robbie – Babylon (Paramount Pictures)

2. Claire Foy – Women Talking (UAR/Orion)

3. Jessie Buckley – Women Talking (UAR/Orion)

4. Carey Mulligan – She Said (Universal Pictures) (NEW)

5. Kerry Condon – The Banshees of Inisherin (A24)

ALTERNATES:

6. Hong Chau – The Whale (A24) (-1)

7. Dolly de Leon – Triangle of Sadness (NEON) (-1)

8. Janelle Monáe – Glass Onion: A Knives Out Mystery (Netflix) (-1)

9. Stephanie Hsu – Everything Everywhere All at Once (A24) (-1)

10. Nina Hoss – TÁR (Focus Features) (NEW)

BEST ORIGINAL SCREENPLAY

1. Daniel Kwan and Daniel Scheinert – Everything Everywhere All at Once (A24)

2. Tony Kushner and Steven Spielberg – The Fabelmans (Universal Pictures)

3. Martin McDonagh – The Banshees of Inisherin (Searchlight Pictures)

4. Ruben Östlund – Triangle of Sadness (NEON)

5. Todd Field – TÁR (Focus Features)

ALTERNATES:

6. Damien Chazelle – Babylon (Paramount Pictures)

7. Jeong Seo-kyeong and Park Chan-wook – Decision to Leave (MUBI)

8. Sam Mendes – Empire of Light (Searchlight Pictures)

9. James Gray – Armageddon Time (Focus Features)

10. Billy Eichner and Nicholas Stoller – Bros (Universal Pictures) (NEW)

BEST ADAPTED SCREENPLAY

1. Sarah Polley – Women Talking (UAR/Orion)

2. Rebecca Lenkiewicz – She Said (Universal Pictures) (+4)

3. Rian Johnson – Glass Onion: A Knives Out Mystery (Netflix) (-1)

4. Samuel D. Hunter – The Whale (A24) (-1)

5. Noah Baumbach – White Noise (Netflix)

ALTERNATES:

6. Ehren Kruger, Christopher McQuarrie, and Eric Warren Singer – Top Gun: Maverick (Paramount Pictures) (-2)

7. Keith Beauchamp, Chinonye Chukwu, and Michael Reilly – Till (UAR/Orion)

8. Edward Berger, Lesley Patterson, and Ian Stokell – All Quiet on the Western Front (Netflix) (+1)

9. Kazuo Ishiguro – Living (Sony Pictures Classics) (+1)

10. David Kajganich – Bones and All (MGM/UAR) (NEW)

BEST CINEMATOGRAPHY

1. Russell Carpenter – Avatar: The Way of Water (20th Century Studios)

2. Linus Sandgren – Babylon (Paramount Pictures)

3. Roger Deakins – Empire of Light (Searchlight Pictures)

4. Janusz Kamiński – The Fabelmans (Universal Pictures)

5. James Friend – All Quiet on the Western Front (Netflix)

ALTERNATES:

6. Darius Khondji – BARDO, False Chronicle of a Handful of Truths (Netflix)

7. Greig Fraser – The Batman (Warner Bros.)

8. Claudio Miranda – Top Gun: Maverick (Paramount Pictures) (+2)

9. Ben Davis – The Banshees of Inisherin (Searchlight Pictures) (+1)

10. Autumn Durald Arkapaw – Black Panther: Wakanda Forever (Walt Disney/Marvel Studios) (-2)

BEST COSTUME DESIGN

1. Mary Zophres – Babylon (Paramount Pictures)

2. Catherine Martin – Elvis (Warner Bros.)

3. Ruth E. Carter – Black Panther: Wakanda Forever (Walt Disney/Marvel Studios)

4. Mark Bridges – The Fabelmans (Universal Pictures)

5. Gersha Phillips – The Woman King (Sony Pictures Releasing)

ALTERNATES:

6. Jenny Beavan – Mrs. Harris Goes to Paris (Focus Features)

7. Shirley Kurata – Everything Everywhere All at Once (A24)

8. Arianne Phillips – Don’t Worry Darling (Warner Bros.)

9. Albert Wolsky – Amsterdam (20th Century Studios)

10. Alexandra Byrne – Empire of Light (Searchlight Pictures)

BEST FILM EDITING

1. Paul Rogers – Everything Everywhere All at Once (A24)

2. Eddie Hamilton – Top Gun: Maverick (Paramount Pictures)

3. Tom Cross – Babylon (Paramount Pictures)

4. Sarah Broshar – The Fabelmans (Universal Pictures)

5. Matt Villa and Jonathan Redmond – Elvis (Warner Bros.)

ALTERNATES:

6. Sven Budelmann – All Quiet on the Western Front (Netflix)

7. David Brenner, James Cameron, John Refoua, and Stephen E. Rivkin – Avatar: The Way of Water (20th Century Studios)

8. Roslyn Kalloo – Women Talking (UAR/Orion)

9. Bob Ducsay – Glass Onion: A Knives Out Mystery (Netflix)

10. Monika Willi – TÁR (Focus Features)

BEST MAKEUP/HAIRSTYLING

1. TBD – The Whale (A24)

2. TBD – Elvis (Warner Bros.)

3. TBD – The Batman (Warner Bros.)

4. TBD – Black Panther: Wakanda Forever (Walt Disney/Marvel Studios)

5. TBD – Babylon (Paramount Pictures)

ALTERNATES:

6. TBD – Blonde (Netflix)

7. TBD – All Quiet on the Western Front (Netflix) (+1)

8. TBD – X (A24) (NEW)

9. TBD – The Woman King (Sony Pictures Releasing) (-2)

10. TBD – Thor: Love and Thunder (Walt Disney/Marvel Studios)

BEST ORIGINAL SCORE

1. John Williams – The Fabelmans (Universal Pictures)

2. Justin Hurwitz – Babylon (Paramount Pictures)

3. Trent Reznor and Atticus Ross – Empire of Light (Searchlight Pictures)

4. Hildur Guðnadóttir – Women Talking (UAR/Orion)

5. Alexandre Desplat – Guillermo del Toro’s Pinocchio (Netflix)

ALTERNATES:

6. Simon Franglen – Avatar: The Way of Water (20th Century Studios)

7. Michael Giacchino – The Batman (Warner Bros.)

8. Carter Burwell – The Banshees of Inisherin (Searchlight Pictures) (+1)

9. Volker Bertelmann – All Quiet on the Western Front (Netflix) (+1)

10. Rob Simonsen – The Whale (A24) (-2)

BEST ORIGINAL SONG

1. “Hold My Hand” – Top Gun: Maverick (Paramount Pictures)

2. “TBD” – Black Panther: Wakanda Forever (Walt Disney/Marvel Studios)

3. “Naatu Naatu” – RRR (Sarigama Cinemas) (+1)

4. “Nobody Like U” – Turning Red (Walt Disney/Pixar Animation) (-1)

5. “Applause” – Tell It Like a Woman (Samuel Goldwyn Films)

ALTERNATES:

6. “New Body Rhumba” – White Noise (Netflix) (+1)

7. “Heartbeat” – Lyle, Lyle, Crocodile (Sony Pictures Releasing) (-1)

8. “Stand Up” – Till (UAR/Orion) (NEW)

9. “This Is A Life” – Everything Everywhere All at Once (A24) (-1)

10. “On My Way” – Marry Me (Universal Pictures) (-1)

BEST PRODUCTION DESIGN

1. Florencia Martin (Production Design) and Anthony Carlino (Set Decoration) – Babylon (Paramount Pictures)

2. Dylan Cole and Ben Procter (Production Design) and Vanessa Cole (Set Decoration) – Avatar: The Way of Water (20th Century Studios) (+3)

3. Hannah Beachler (Production Design) and Lisa K. Sessions (Set Decoration) – Black Panther: Wakanda Forever (Walt Disney/Marvel Studios)

4. Rick Carter (Production Design) and Karen O’Hara (Set Decoration) – The Fabelmans (Universal Pictures) (-2)

5. Catherine Martin (Production Design) and Beverley Dunn (Set Decoration) – Elvis (Warner Bros.) (-1)

ALTERNATES:

6. Christian M. Goldbeck (Production Design) and Ernestine Hipper (Set Decoration) – All Quiet on the Western Front (Netflix)

7. Akin McKenzie (Production Design) and TBD (Set Decoration) – The Woman King (Sony Pictures Releasing)

8. Mark Tildesley (Production Design) and Patricia Cuccia (Set Decoration) – Empire of Light (Searchlight Pictures)

9. Rick Heinrichs (Production Design) and Elli Griff (Set Decoration) – Glass Onion: A Knives Out Mystery (Netflix)

10. Jason Kisvarday (Production Design) and Kelsi Ephraim (Set Decoration) – Everything Everywhere All at Once (A24)

BEST SOUND

1. TBD – Top Gun: Maverick (Paramount Pictures)

2. TBD – All Quiet on the Western Front (Netflix)

3. TBD – Avatar: The Way of Water (20th Century Studios)

4. TBD – The Batman (Warner Bros.)

5. TBD – Babylon (Paramount Pictures)

ALTERNATES:

6. TBD – Elvis (Warner Bros.)

7. TBD – Everything Everywhere All at Once (A24)

8. TBD – Black Panther: Wakanda Forever (Walt Disney/Marvel Studios)

9. TBD – Thirteen Lives (Amazon Studios/MGM)

10. TBD – The Fabelmans (Universal Pictures)

BEST VISUAL EFFECTS

1. TBD – Avatar: The Way of Water (20th Century Studios)

2. TBD – Everything Everywhere All at Once (A24)

3. TBD – Top Gun: Maverick (Paramount Pictures)

4. TBD – Black Panther: Wakanda Forever (Walt Disney/Marvel Studios)

5. TBD – Guillermo del Toro’s Pinocchio (Netflix)

ALTERNATES:

6. TBD – Doctor Strange in the Multiverse of Madness (Walt Disney/Marvel Studios)

7. TBD – The Batman (Warner Bros.)

8. TBD – Nope (Universal Pictures)

9. TBD – Thor: Love and Thunder (Walt Disney/Marvel Studios)

10. TBD – Three Thousand Years of Longing (MGM/UAR)

BEST ANIMATED FEATURE

1. Guillermo del Toro’s Pinocchio (Netflix)

2. Strange World (Walt Disney/Walt Disney Animation)

3. Turning Red (Walt Disney/Pixar Animation)

4. My Father’s Dragon (Netflix)

5. The Bad Guys (Universal Pictures/DreamWorks Animation)

ALTERNATES:

6. Marcel the Shell with Shoes On (A24)

7. The Sea Beast (Netflix)

8. Wendell & Wild (Netflix)

9. Puss in Boots: The Last Wish (Universal Pictures/DreamWorks Animation)

10. Lightyear (Walt Disney/Pixar Animation)

BEST DOCUMENTARY FEATURE

1. Navalny (Warner Bros.)

2. Fire of Love (National Geographic Documentary Films/NEON)

3. All the Beauty and the Bloodshed (NEON)

4. Descendant (Netflix)

5. Moonage Daydream (NEON)

ALTERNATES:

6. Good Night Oppy (Amazon Studios)

7. Sr. (Netflix)

8. Sidney (Apple TV+)

9. The Territory (National Geographic Documentary Films)

10. Black Ice (Elevation Pictures)

BEST INTERNATIONAL FEATURE FILM

1. All Quiet on the Western Front (Netflix) – Germany

2. Decision to Leave (MUBI) – South Korea

3. Close (A24) – Belgium

4. BARDO, False Chronicle of a Handful of Truths (Netflix) – Mexico

5. Saint Omer (TBD) – France

ALTERNATES:

6. Klondike (TBD) – Ukraine

7. Holy Spider (Utopia) – Denmark

8. Argentina, 1985 (TBD) – Argentina

9. EO (TBD) – Poland

10. Boy from Heaven (TBD) – Sweden

WIN/NOMINATION TALLIES

Taking into account all of my present predictions, this is what I’m seeing for the prospective wins and nominations for this awards season’s hottest titles:

• The Fabelmans (2 wins/11 nominations)
  • Best Picture
  • Best Director
  • Best Actress
  • Best Supporting Actor
  • Best Supporting Actor
  • Best Original Screenplay
  • Best Cinematography
  • Best Costume Design
  • Best Film Editing
  • Best Original Score
  • Best Production Design
• Babylon (3 wins/11 nominations)
  • Best Picture
  • Best Director
  • Best Supporting Actor
  • Best Supporting Actress
  • Best Cinematography
  • Best Costume Design
  • Best Film Editing
  • Best Makeup and Hairstyling
  • Best Original Score
  • Best Production Design
  • Best Sound
• Everything Everywhere All at Once (4 wins/7 nominations)
  • Best Picture
  • Best Director
  • Best Actress
  • Best Supporting Actor
  • Best Original Screenplay
  • Best Film Editing
  • Best Visual Effects
• Top Gun: Maverick (2 wins/5 nominations)
  • Best Picture
  • Best Film Editing
  • Best Original Song
  • Best Sound
  • Best Visual Effects
• Women Talking (1 win/5 nominations)
  • Best Picture
  • Best Supporting Actress
  • Best Supporting Actress
  • Best Adapted Screenplay
  • Best Original Score
• Avatar: The Way of Water (2 wins/5 nominations)
  • Best Picture
  • Best Cinematography
  • Best Production Design
  • Best Sound
  • Best Visual Effects
• Elvis (0 wins/5 nominations)
  • Best Actor
  • Best Costume Design
  • Best Film Editing
  • Best Makeup and Hairstyling
  • Best Production Design
• Black Panther: Wakanda Forever (0 wins/5 nominations)
  • Best Costume Design
  • Best Makeup and Hairstyling
  • Best Original Song
  • Best Production Design
  • Best Visual Effects
• TÁR (1 win/4 nominations)
  • Best Picture
  • Best Director
  • Best Actress
  • Best Original Screenplay
• The Whale (2 wins/4 nominations)
  • Best Picture
  • Best Actor
  • Best Adapted Screenplay
  • Best Makeup and Hairstyling
• She Said (0 wins/3 nominations)
  • Best Picture
  • Best Supporting Actress
  • Best Adapted Screenplay
• Guillermo del Toro’s Pinocchio (1 win/3 nominations)
  • Best Animated Feature
  • Best Original Score
  • Best Visual Effects
• All Quiet on the Western Front (1 win/3 nominations)
  • Best Cinematography
  • Best International Feature Film
  • Best Sound
• Triangle of Sadness (0 wins/2 nominations)
  • Best Director
  • Best Original Screenplay
• Empire of Light (0 wins/2 nominations)
  • Best Cinematography
  • Best Original Score
• The Batman (0 wins/2 nominations)
  • Best Makeup and Hairstyling
  • Best Sound
• Turning Red (0 wins/2 nominations)
  • Best Animated Feature
  • Best Original Song
• The Son (0 wins/1 nomination)
  • Best Actor
• Living (0 wins/1 nomination)
  • Best Actor
• Till (0 wins/1 nomination)
  • Best Actress
• I Wanna Dance with Somebody (0 wins/1 nomination)
  • Best Actress
• Glass Onion: A Knives Out Mystery (0 wins/1 nomination)
  • Best Adapted Screenplay
• White Noise (0 wins/1 nomination)
  • Best Adapted Screenplay
• The Woman King (0 wins/1 nomination)
  • Best Costume Design
• RRR (0 wins/1 nomination)
  • Best Original Song
• Tell It Like a Woman (0 wins/1 nomination)
  • Best Original Song
• Strange World (0 wins/1 nomination)
  • Best Animated Feature
• My Father’s Dragon (0 wins/1 nomination)
  • Best Animated Feature
• The Bad Guys (0 wins/1 nomination)
  • Best Animated Feature
• Navalny (1 win/1 nomination)
  • Best Documentary Feature
• Fire of Love (0 wins/1 nomination)
  • Best Documentary Feature
• All the Beauty and the Bloodshed (0 wins/1 nomination)
  • Best Documentary Feature
• Descendant (0 wins/1 nomination)
  • Best Documentary Feature
• Moonage Daydream (0 wins/1 nomination)
  • Best Documentary Feature
• Decision to Leave (0 wins/1 nomination)
  • Best International Feature Film
• Close (0 wins/1 nomination)
  • Best International Feature Film
• BARDO, False Chronicle of a Handful of Truths (0 wins/1 nomination)
  • Best International Feature Film
• Saint Omer (0 wins/1 nomination)
  • Best International Feature Film