‘Save Yourselves’ Exclusive Interview: Alex Huston Fischer & Eleanor Wilson

Save Yourselves! premiered at the 2020 Sundance Film Festival back in January. The film was one of the more talked about comedies to play at the festival this year and I personally found the film to be a lot of fun. The premise of Save Yourselves! is rather simplistic as the film follows a young couple played by Sunita Mani and John Reynolds who decide to unplug from technology for a week while on vacation in the woods. However, while they are disconnected from the outside world, an alien invasion occurs, leaving them unaware of what to do next.

I recently got to chat with Alex Huston Fischer and Eleanor Wilson about their feature film debut. The duo, not only co-directed the film but also co-wrote it as well.

Scott Menzel: Hello. Lovely to meet you both, virtually.

Alex Huston Fischer: Hi! Nice to meet you.

Eleanor Wilson: Hi! You too! Look at that background.

Alex Huston Fischer: I know, right?

Eleanor Wilson: A lot of cool stuff there.

Scott Menzel: Yeah. Most of it is Nightmare Before Christmas and Tim Burton collectibles from the early ’90s. I always have to start with where I see a movie and I saw this movie back at Sundance. What was it like for you two to have your first film premiere at Sundance?

Eleanor Wilson: I mean, we’re very lucky.

Alex Huston Fischer: We didn’t expect to get into Sundance.

Eleanor Wilson: Yeah. It’s a silly comedy and so there’s an idea that people have about Sundance that it’s like more prestigious…

Alex Huston Fischer: Prestigious films. Yeah. Important films.

Eleanor Wilson: We didn’t think that our film was either prestigious or important, but it was so fun. I don’t know which screening you were at, but we just had a blast at the ones that we went to.

Alex Huston Fischer: The audiences are incredible. They’re just so reactive and they were laughing and it was a dream. It was like…

Eleanor Wilson: And obviously looking back on it now, it feels like a world away.

Alex Huston Fischer: It feels very dangerous now.

Scott Menzel: We talk so much about the pressures of the internet and how much time we spend there and what we should be doing instead. During this particular period of time, where are you finding you’re spending most of your time?

Eleanor Wilson: Panicking and…

Alex Huston Fischer: Reading the news.

Eleanor Wilson: Yeah, reading the news.

Alex Huston Fischer: Freaking out.

Eleanor Wilson: Yeah. We’re obviously home and we are collaborators so it’s nice to be able to have the time to work together on things. And there are certain days we’re productive and certain days where we feel the doom.

Alex Huston Fischer: Get totally swallowed, yeah. Sure.

Scott Menzel: If you can tell a viewer, and I know this is something that a lot of people ask, but with a film like yours, where I feel the ending is left open to interpretation as to what was going on, what is a lesson that you hope a viewer would take away from your film when they get finished watching it?

Alex Huston Fischer: Well, we hope they have a good time and can just laugh. Maybe they see part of the characters in themselves and get to laugh at themselves. Or maybe they don’t and they just get to laugh at somebody else.

Eleanor Wilson: Yeah. I mean, there’s definitely some messages and themes in the movie. I think the biggest thing for us was just this idea of people… That we’re all kind of obsessed with our own existences and failing to see the bigger picture of the world falling apart, and this is the sped-up version of that. So we hope that people think about that aspect of it as well. But first and foremost, I just hope in this very strange time that we can give people some fun and some joy.

Alex Huston Fischer: Yeah, 90 minutes of chillin’ out.

Scott Menzel: So, I watched this movie again a couple of weeks ago. It was the first time that I’ve seen it since Sundance and I will tell you, it holds up well on second viewing. So that’s always a test for a Sundance movie.

Eleanor Wilson: Great.

Alex Huston Fischer: Oh, cool. Thanks so much. That’s great to hear.

Eleanor Wilson: Yeah, right, outside of the excitement of the audience and the altitude. Is it still good?

Alex Huston Fischer: Because sometimes you see a movie at Sundance and you’re like, “Oh man, that was the best movie I’ve ever seen in my whole life,” and then the Sundance thing wears off.

Scott Menzel: 100%. That happens a lot. I’ve never asked anyone this, but I want to ask you, two fine folks, this question. When you sell a movie at Sundance, what is that process like?

Alex Huston Fischer: Oh god.

Eleanor Wilson: After it’s sold or how it happens?

Scott Menzel: Yeah, tell me, walk me through the process.

Alex Huston Fischer: They mostly keep us out of it. We’re intentionally not involved.

Eleanor Wilson: No. I mean, we were really lucky with Bleeker Street. I mean, in the deals, we’re not involved in the deal obviously, but with Bleeker Street, they actually… We’ve heard that typically you don’t get to be involved in your marketing materials or things like that, but they actually were very kind to let us be a part of that.

Alex Huston Fischer: We did get to collaborate on the trailer and…

Eleanor Wilson: We just had a lot of conversations about the vibe of the movie and the comedy and what, the tone, and how we kind of wanted it to be represented. And we think they did a really good job of making the marketing materials really fun. It’s a lot of that and then there are deliverables, is this whole thing. You have to go back into the project and make sure everything’s kind of done correctly. We had to change some sound effects that we learned were illegal in certain markets.

Alex Huston Fischer: You can’t play this in America. It was like, “oh all right.”

Eleanor Wilson: It was like a warning sign. But yeah. I mean, it’s, the process doesn’t end really. We’ve still been sort of in it very much so since Sundance, even though the movie was finished, then it just, it goes on.

Alex Huston Fischer: Mm-hmm (affirmative). Yeah.

Scott Menzel: Great. Well, thank you very much. Again, once again, congratulations on the film, had a blast with it and I hope audiences find this movie and it warms their hearts.

Eleanor Wilson: Thank you so much. It was great to talk to you.

Alex Huston Fischer: Thanks so much. Thanks for watching it twice.

Scott Menzel: No problem. Take care. Have a good day.

Save Yourselves is now available to watch now on digital or in select theaters nationwide

Written by
Born in New Jersey, Scott D. Menzel has been a film fanatic since he was three years old. Growing up, he watched as many movies as he could and was highly influenced by Tim Burton, John Hughes, Robert Zemeckis, and Steven Spielberg. Scott has an Associates Degree in Marketing, a Bachelors in Mass Media, Communications and a Masters in Electronic Media. He has been writing film reviews under the alias of MovieManMenzel since 2003 and started his writing career as a contributing critic at IMDB.com and Joblo.com. In 2009, Scott launched MovieManMenzel.com where he posted several of his film reviews but in 2011 decided to shut down the site when he launched We Live Film.com, which he founded. In 2015, We Live Film became We Live Entertainment. The domain name changed occurred after months of debate but was done so that he and his fellow staff members could write about anything and everything in the world of entertainment.

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