SXSW 2018 Review: ‘Blockers’ is a Step in Sort of the Right Direction

SXSW 2018 Review: ‘Blockers’ is a Step in Sort of the Right Direction

Each year at SXSW a major studio premieres a comedy at the festival. These big comedies usually do well with the SXSW crowd, but for me, they are typically hit or miss. For the ten years that I have been coming to SXSW, I have watched some great comedies like The Disaster Artist and Spy while comedies like Sausage Party and Neighbors just didn’t work for me. For the 25th anniversary of the SXSW Film Festival, the programming team picked Blockers as their big studio comedy to premiere at the festival. Before attending the world premiere, I didn’t watch a single trailer or television spot for the film. The only thing I knew about it was the brief plot description from IMDB.

Blockers follows Lisa (Leslie Mann) an overprotective mom and Mitchell (John Cena) an overprotective father. Hunter (Ike Barinholtz) is the third father in their little group, but he isn’t overprotective but instead sort of a deadbeat dad. These three parents have been friends since their daughters started kindergarten and over the years have slowly parted ways as their daughters grew older. The three parents reunite on prom night to stop their daughters from losing their virginity.

Since the early 80s, there have been a plethora of R-rated sex comedies about teenagers trying to lose their virginity. What makes Blockers standout in comparison to so many other films with a similar plot is that there are three females at the center of this story. Yes, there have been sex comedies featuring female leads before but rarely is their story told from a female perspective. Pitch Perfect writer Kay Cannon makes her directorial debut with this raunchy comedy that is sure to win over most fans of modern-day raunchy comedy.

I want to begin this review by pointing out the positive before I dive into the issues that I had with the film. First and foremost, huge congratulations are for Universal giving Kay Cannon the chance to direct a female-driven sex comedy. Universal was the first major studio to open the door to releasing raunchy female comedies. The studio has released Bridesmaids, Trainwreck, and Girls Trip, just to name a few. By allowing Kay Cannon the opportunity to direct a comedy like this one is a huge step forward in the fight for female filmmakers. To my knowledge, the only other film that is sort of like this one is The To Do List  which was written and directed by Maggie Carey.

The female-driven Blockers joins a genre that has been dominated by males for almost three decades and proves that women can be just as raunchy as their male counterparts. Instead of listening to a bunch of male adolescences talk about buying booze with fake IDs to get laid, Blockers takes on the female perspective which is refreshing to see and hear. We get to hear what Julie (Kathryn Newton), Sam (Gideon Adlon) and Kayla (Geraldine Viswanathan) discuss their views on sex and what they want to do. They are in control of the situation, and it is scarce that we have the opportunity to see this sort of thing occur in a big studio comedy.

I have to applaud Cannon and the five writers for creating the character Sam and presenting her as a real teenager who is confused with her sexuality. While this is becoming more commonplace, I still think it is important to highlight these characters because they feel very true to life. Adlon, who played Sam, did such a great job bringing her character to life and did so in a very subtle yet funny way. I should also take a moment to point out that newcomer Geraldine Viswanathan was the highlight of the entire cast. Viswanathan brought a ton of energy to the role, and her line-delivery was spot-on.

Moving on to the negative, Blockers as a whole is pretty much just more of the same. The raunchy humor is just a bunch of crude jokes that attempt to be more raunchy than the films that have proceeded it. The jokes rely very heavily on gross-out sight gags and toilet humor. There is a joke where John Cena’s character Mitch has to chug a beer through his asshole to get into a high school party. While the SXSW audience found this scene to be hilarious, I was not amused by it at all. I was also not amused by the scene in the limo where everyone starts throws up on each other. This type of humor is just so infantile and not creative nor funny whatsoever.

Speaking of humor, I get that John Cena is the epitome of masculinity so on paper it might be funny to have him break down crying at specific points throughout the film but man oh man did that joke fall flat on its face in the final film. Let me not forget to mention that, of course, his character is accused of being a homophobe because he doesn’t want to touch Gary Cole’s genitals as he walks naked through his home wearing a blindfold. Again, this type of humor is cheap and geared towards the lowest common denominator. These types of jokes are something that I believe a bunch of 13-year-olds would deem hilarious and somehow they have found their way into a big studio comedy.

Regarding the three adult leads, they had great chemistry with one another, but after a while, their constant bickering back and forth got rather tiresome. There are a few moments where one of them says something that will produce a laugh, but for the most part, it just sounds like a bunch of adults yelling at one another. I dislike watching adult actors behave like little kids on a playground. There is no question that Mann, Cena, and Barinholtz are having a ton of fun playing their characters but I found it hard to watch grown adults behaving more immaturely than their teenage daughters.

Furthermore, the script which was written by all men is full of cliches and is so predictable. There are several heart-to-heart moments sprinkled throughout the film which not only felt forced but incredibly unrealistic. I get the whole overprotective parent thing, but please let’s not pretend that any teenager would be ok with their parent or parents stalking them all night long. The scenes where the parents talk to their daughters during a massive hotel party is beyond phony and unrealistic. There’s a certain level of suspension of disbelief one can tolerate, and these scenarios cross that line.

All in all, Blockers should be celebrated as it is a step in the right direction when it comes to female-driven and directed raunchy teenage comedies. Blockers is just as good as most male-driven sex comedies such as Superbad and American Pie. With that being said, the film is very much standard sex comedy fare and filled with several moments of pure stupidity. I realize that a lot of people tend to love this type of humor, but it just isn’t for me, no matter who directs or stars in these films. I can’t help but be somewhat curious, however, how the film would have been different if it was written by a female instead of five guys. I don’t know if or how it would have been different but I wish it was better. Its definitely on par with most modern sex comedies so if nothing else Blockers is a step sort of in the right direction.

Scott ‘Movie Man’ Menzel’s rating for Blockers is a 4 out of 10.

Written by
Born in New Jersey, Scott "Movie Man" Menzel has been a film fanatic since he was three years old. Growing up, he watched as many movies as he could and was highly influenced by Tim Burton, John Hughes, Robert Zemeckis, and Steven Spielberg. Scott has an Associates Degree in Marketing, a Bachelors in Mass Media, Communications and a Masters in Electronic Media. He has been writing film reviews under the alias of MovieManMenzel since 2003 and started his writing career as a contributing critic at and In 2009, Scott launched where he posted several of his film reviews but in 2011 decided to shut down the site when he launched We Live, which he founded. In 2015, We Live Film became We Live Entertainment. The domain name changed occurred after months of debate but was done so that he and his fellow staff members could write about anything and everything in the world of entertainment.

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