Tiffany Haddish and Ike Barinholtz talk about The Oath and people on their cell phones.

Tiffany Haddish and Ike Barinholtz talk about The Oath  and people on their cell phones.

I was lucky enough to sit down and chat with Ike Barinholtz and Tiffany Haddish at a recent press day for their new film, The Oath. This politically charged satire is a very special film for Ike Barinholtz because it marks the first time that he has written, produced, directed and starred in a feature film. It is also a bit of a change of pace for Tiffany Haddish since this role is unlike anything else she’s done so far but Haddish also serves as a producer on the film. During the interview, I got to talk with them about what it was like to work on the film, where the idea came from and to discuss one of the film’s main themes which tied into our current obsession with the media.

Scott Menzel: So, Ike, where in the hell did this idea come from?

Ike Barinholtz: This idea came from an argument at Thanksgiving dinner after the 2016 election between my mom and my brother and I, and we were all pretty much on the same side, but we were getting mad at each other and blaming each other, and I just knew the holiday table has been changed forever in America.

And the old maxim, “Don’t talk politics at the table,” now is not just advice. It’s an order, otherwise, bad stuff’s going to happen, so I knew that that arena was a fun place to explore a movie, and then the pieces just fell in place. I knew I needed her to play my wife, and a few other key components, but it just happened real fast.

Scott Menzel: Tiffany, what did you think when you read this script?

Tiffany Haddish: My heart started to sing. It was full of joy. I really enjoyed it. I felt like it’s something that could possibly happen. I felt like it was a great way to teach. It’s a teachable type of movie, and it’s funny so I really wanted to be a part of that.

Scott Menzel: This movie has so much to say. There’s so much social commentary, but the thing that I took away from this film is, would we as a society be better without social media and without the media?

Ike Barinholtz: It’s a question I ask myself a lot, and it’s easy to be like, “Of course it is. We would not be here,” but then you look at some of the things that, for every time I read Twitter and I see something horrible happening politically, I see a blind kid with a puppy, you know what I mean?

Tiffany Haddish: Or how about when my dog got out of the house and I couldn’t find her, and then somebody had tweeted, “Does anybody know this dog?” And I’m like, “That’s my dog, bitch!”

Ike Barinholtz: Yes yes yes.

Tiffany Haddish: And I found my dog. Hello.

Ike Barinholtz: I do think the positives do outweigh the negatives, but the negatives are very big and very real, and I think that you could do worse than walk away from this movie with that in the back of your head, be like, “I’m not going to check Twitter quite as much. I’m going to be a little more present,” just because that’s what I’ve been trying to do.

Tiffany Haddish: Yeah, I really think it’s important for people to be present and aware of who’s around you, and let’s just have a conversation. We don’t have to pick up our phones every few minutes.

Ike Barinholtz: We’re on Earth for one trillionth…

Tiffany Haddish: One second. Hold up. (checks phone)

Scott Menzel: No problem.

Ike Barinholtz: She’s going to check it. Is that Drake?

Tiffany Haddish: No.

Ike Barinholtz: Okay. So, yeah, we’re on Earth for so briefly, and-

Tiffany Haddish: See how rude that is? So fucking rude. I hate when people do that shit. (commenting on checking her phone)

Ike Barinholtz: I don’t mind when you do it, because it’s something cool. When Tiffany does it, I’m about to hear a great story.

Scott Menzel: It’s like Tiffany does it, yeah that’s fine. That’s what I’m saying.

Ike Barinholtz: I like it.

Tiffany Haddish: I fucking hate it. I miss just going and being there. Remember when you used to be at home back in the day, in the ’90s when there were no cell phones?

Ike Barinholtz: Ah, the best.

Tiffany Haddish: And you just had a pager, and you had to find a landline if somebody wanted to talk to you?

Ike Barinholtz: Yes.

Tiffany Haddish: They had to page you.

Ike Barinholtz: Page you.

Tiffany Haddish: And then you talked to them when you get home.

Scott Menzel: That’s right.

Tiffany Haddish: Or when you get to a payphone. Hello.

Ike Barinholtz: The instant access is not great.

Tiffany Haddish: I miss pay phones…

Ike Barinholtz: I miss pay phones.

Tiffany Haddish: … where you could catch a cold. Where the pay phones at? Can’t find a payphone nowhere. Just ain’t here.

Ike Barinholtz: I only want to use a phone that can give me a cold.

Scott Menzel: #TiffanyHaddishwantsapayphone, let’s tweet that.

Ike Barinholtz: That’s true.

Scott Menzel: We’ll start that.

Ike Barinholtz: Hold on. It’s trending.

Tiffany Haddish: It’s trending.

Scott Menzel: Oh my God.

Ike Barinholtz: It’s trending already.

Scott Menzel: Well guys, thank you so much.

Ike Barinholtz: Thank you so much, man.

Scott Menzel: It was an honor, and Tiffany, you made this interview the way that I expected this interview to go with you busting jokes, so that’s great.

Tiffany Haddish: Thank you.

Ike Barinholtz: Great to meet you, man.

Scott Menzel: Great to meet you too! Thanks again.

The Oath  is now playing 

Written by
Born in New Jersey, Scott "Movie Man" Menzel has been a film fanatic since he was three years old. Growing up, he watched as many movies as he could and was highly influenced by Tim Burton, John Hughes, Robert Zemeckis, and Steven Spielberg. Scott has an Associates Degree in Marketing, a Bachelors in Mass Media, Communications and a Masters in Electronic Media. He has been writing film reviews under the alias of MovieManMenzel since 2003 and started his writing career as a contributing critic at IMDB.com and Joblo.com. In 2009, Scott launched MovieManMenzel.com where he posted several of his film reviews but in 2011 decided to shut down the site when he launched We Live Film.com, which he founded. In 2015, We Live Film became We Live Entertainment. The domain name changed occurred after months of debate but was done so that he and his fellow staff members could write about anything and everything in the world of entertainment.

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