‘I Swear’ Review: A Raw, Empathetic Look at Tourette’s That Earns Every Emotion

Kirk Jones's heartfelt drama follows one man's journey from isolation to purpose that is anchored by a BAFTA-winning Robert Aramayo performance that resonates.

Kirk Jones’ I Swear follows John Davidson, a young man with Tourette’s syndrome, as he tries to find his footing in a world that doesn’t quite know what to do with him. The early school scenes are quietly painful, depicting a boy disciplined for something he can’t control by adults who never bothered to understand it. The film takes its time, and that’s intentional. You feel the weight of years of misunderstanding before you get to watch him slowly shed it, and the audience is invested in the journey. What makes it work is that the story never begs for your sympathy. It just shows you a life, honestly, and lets you arrive at your own feelings. Robert Aramayo is the reason it lands as hard as it does, since his performance is physical, specific, and completely unsentimental, yet evokes a lot of earned emotions. The BAFTA for Best Lead Actor was well-deserved and, honestly, overdue, given what he brought to this role.

One of the most quietly devastating recurring images is him sitting alone by the fireplace to eat; that is a small but powerful visual that captures his loneliness, saying so much without saying anything. In contrasting scenes, the film also finds moments of warmth and humor, such as the “I got two aces” scene, where a simple game turns into an endearing moment as he reveals his very promising hand. Even the film’s occasional use of crude language for comic relief, while sometimes a bit forced and cringy, gives the drama a more grounded, realistic feel.

The best thing about I Swear is how deeply empathetic it is for the character’s situation and condition. Even though I had heard of Tourette’s, I learned more and wanted the best for them.  A standout line, “Never apologize for what you can’t be,” becomes a guiding mantra if not a clarion call of self-realization, offering both the character and the audience a sense of permission and grace. It is something I carried with me weeks after watching it. This theme comes full circle in one of the film’s most meaningful sequences as he creates a getaway day program for others with his condition, giving families a place to feel seen, heard, and understood. with a lot of room to love and breathe. It’s a powerful reminder of how personal struggle can be transformed into community impact.

The audience reaction during I Swear, including the friend I took, said it all: the film resonates. It’s heartfelt, engaging, and rare in its sincerity. The audience was rewarded, and I hope audiences reward this movie in the coming weeks and months. As my guest put it days after we watched it, “We need more movies like this.” She’s right. Don’t miss the chance to experience it with others.

I Swear is now playing in theaters.

Written by
Kenny admired film criticism as a child when his mother wrote a positive review of Home Alone in his small town Arkansas newspaper and defended it against angry Letters to the Editor. Kenny Miles loves to talk about movies especially the cultural impact of a film, if something is overlooked by Hollywood, or whatever business trend has captured the Entertainment Industry’s attention, specialty releases, an auteur director, a unique premise, branding, and THE much infamous "awards season." Kenny currently lives in Denver, Colorado and is a member of the Denver Film Critics Society critics group. When he isn’t writing, Kenny channels his passion working as an events marketing coordinator. He spends many Friday nights exit polling for CinemaScore (and his opinions are his own).

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