Al Pacino
‘Dead Man’s Wire’ Review: Gus Van Sant’s Uneven, Compelling Hostage Thriller
The film is inspired by the 1977 Indianapolis hostage standoff involving Tony Kiritsis and centers on the escalation of a public confrontation shaped by negotiation, media attention, and law enforceme...
AFI Fest 2025 Review: ‘Dead Man’s Wire’ Presents a Hostage Situation To Die For
The film depicts the 1977 kidnapping by Tony Kiritsis of his bank mortgager, in which he requested hostage money and an apology.
‘The Ritual’ Review: Despite a Game Cast, the Devil Isn’t in the Details
Two priests, one in crisis with his faith and the other confronting a turbulent past, must overcome their differences to perform a risky exorcism.
TV Review: ‘Hunters’ Season 2 Hunts the Ultimate Prey but Loses Itself Along the Way
A secret group of Nazi hunters attempt to hunt down Adolf Hitler and bring him to justice.
‘House of Gucci’ Review: A Messy Yet Entertaining Descent Into Chaos
What would happen if you tried to make a sprawling, epic, The Godfather-style family crime drama with tons of excess but absolutely zero gravitas? It’s a rhetorical question: The answer is obvio...
‘House of Gucci’ Review: Straightforward Yet Chic
House of Gucci is inspired by the shocking true story of the family empire behind the Italian fashion house of Gucci. Spanning three decades of love, betrayal, decadence, revenge, and ultimately murde...
Review: Scorsese Brings Out Some Goodfellas For ‘The Irishman’
Aaron Neuwirth reviews Martin Scorsese's The Irishman, which places Robert De Niro, Al Pacino, and Joe Pesci in a sprawling, and incredibly well-made crime epic.
‘The Irishman’ NYFF Review: Martin Scorsese’s Epic Gangster Fairytale.
Bryan Sudfield reviews Martin Scorsese's The Irishman from New York Film Festival.
Review: Tarantino Delivers Sweet ‘Hollywood’ Tribute The Only Way He Knows How
Aaron Neuwirth reviews Once Upon A Time... In Hollywood, the 9th film from Quentin Tarantino, and an ode to the Golden Age of Tinseltown.
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