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‘Cherry’ Review: Just As Lost As Its Characters
An army medic suffering from post-traumatic stress disorder becomes a serial bank robber after an addiction to drugs puts him in debt.
‘Palmer’ Review: Dare to Be Different
After 12 years in prison, former high school football star Eddie Palmer returns home to put his life back together and forms an unlikely bond with Sam, an outcast boy from a troubled home. But...
NYFF 2020 Review: ‘On The Rocks’ Is A Breezy Reunion For Murray And Coppola
Concerned about her marriage, Laura recruits her charming, impulsive father, Felix, to help determine whether any infidelity is taking place, leading to an escalating adventure around New York.
TIFF 2020 Review: A Documentary Round-up With ‘MLK/FBI,’ ’76 Days,’ and Werner Herzog
We review three documentaries, MLK/FBI, 76 Days, and Fireball: Visitors from Darker Worlds, at TIFF 2020. Directors include Werner Herzog, Sam Pollard, and new team Weixi Chen & Hao Wu.
TIFF 2020 Review: ‘Wolfwalkers’ Combines Folklore and Hand-Drawn Animation to Create Magic
The proliferation of CGI in animated films continues to raise concerns about the medium’s treatment of hand-drawn content. While CG animation became the norm over the past fifteen years, hand-dr...
Review: Tom Hanks is the Captain Now in ‘Greyhound’
Daniel Rester reviews the war drama 'Greyhound,' written by and starring Tom Hanks and directed by Aaron Schneider.
Review: Tom Hanks Commands Competent But Unremarkable ‘Greyhound’
Aaron Neuwirth reviews Greyhound, a WWII film adapted by and starring Tom Hanks as the captain of a destroyer in U-boat infested waters.
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