Comedy Drama
AFI Fest 2020 Review: ‘Pink Skies Ahead’ is an Honest and Relatable Look at Anxiety
Anxiety is something that most young adults struggle with, and it seems to be increasing as the world appears to be erupting into chaos. Luckily, there has been an outpouring of advocacy for mental he...
NYFF 2020 Review: ‘On The Rocks’ Is A Breezy Reunion For Murray And Coppola
Concerned about her marriage, Laura recruits her charming, impulsive father, Felix, to help determine whether any infidelity is taking place, leading to an escalating adventure around New York.
TIFF 2020 Review: ‘Fauna’ Gets Lost in its Own Desolation
Joseph Braverman reviews Nicolás Pereda's head-scratching Fauna, which punishes viewers for going in blind.
‘Shithouse’ Review: Being a College Freshman Can Be a Real Stinker
Joseph Braverman reviews Shithouse, a film not shying away from taking a dump on the early days of college.
‘The Personal History of David Copperfield’ Review: Multicultural Dickens
Aaron Neuwirth reviews ‘The Personal History of David Copperfield,' Armando Iannucci's adaptation of the classic Charles Dickens novel.
Review: 2020’s ‘Emma’ Is Awfully Rich And Clever
Aaron Neuwirth reviews Emma. A new take on the classic Jane Austen novel, which is the most stylish adaptation yet.
The New ‘Little Women’ Tells Its Own Old Story
Aaron Neuwirth reviews Little Women, the 2019 adaptation of the classic coming-of-age novel, from writer/director Greta Gerwig.
Review: ‘Bombshell’ Is All Makeup And No Bite
Aaron Neuwirth reviews Bombshell, a misguided effort from director Jay Roach and 'The Big Short' screenwriter Charles Randolph to tackle a major scandal.
Review: ‘Blinded By The Light’ Has A Real Human Touch
Aaron Neuwirth reviews Blinded by the Life, a crowd-pleasing film about the life of a young man impacted by the music of Bruce Springsteen.