Universal Pictures
‘Easter Sunday’ Review: A Sweet Filipino Family Comedy That’s A Little Extra
Stand-up comedy sensation Jo Koy stars as a man returning home for an Easter celebration with his riotous, bickering, eating, drinking, laughing, loving family, in this love letter to his Filipino-Ame...
‘Nope’ Review: Jordan Peele’s Close Encounter Delivers a Horse of a Different Color
The caretakers at a horse ranch in a lonely gulch in inland California bear witness to an uncanny and chilling discovery.
‘The Black Phone’ Review: Hawke as a Horror Villain
A boy named Finney fights back against his kidnapper, a serial killer named "The Grabber."
‘The Black Phone’ Review: Take The Call
After being abducted by a child killer and locked in a soundproof basement, a 13-year-old boy starts receiving calls on a disconnected phone from the killer's previous victims.
‘Jurassic World Dominion’ Review: Dinosaurs Are Forever
Dominion takes place four years after Isla Nublar has been destroyed. Dinosaurs now live—and hunt—alongside humans all over the world. This fragile balance will reshape the future and determine, once ...
‘The Bad Guys’ Review: A Clever Wolf In Kids Clothing
A gang of criminal animals attempt to become good, with some disastrous results along the way.
‘Ambulance’ Interview with Producer Bradley Fischer
Two robbers steal an ambulance after their heist goes awry.
‘Ambulance’ Review: The Bay Down in L.A.
Two brothers escape from a bank robbery in an ambulance.
‘Ambulance’ Review: A Ridiculous, Action-Heavy Extravaganza
Catherine Springer reviews Michael Bay's over-the-top action film, Ambulance, featuring a lot of ridiculous "Bay-hem" in its nonsensical plot.